“Reverie of The Malignant” & “Self-Titled”

for @cult_burial
Death metal heroes from the depths of London, England.
Thanks again to Simon and co. for having me.

Design wise, these two covers were meant to compliment each other while simultaneously working as opposites.

Thanks to @breelzebubb for modeling/ collaborating.

LISTEN / OBTAIN

“Offered marrow the accord is struck.
Calcified thirst what fruits unculled.”

Thursday, February 29th, 2024 @thebishopbar in Bloomington, Indiana.
@fellruin have been invited to perform as part of a benefit/ symposium presented by Indiana University Arts & Humanities Council in conspiracy w/ @blackmetalrainbows.
Joined by @eudaemonband from Minneapolis.

This will not only be our first time here, but we have also confirmed what will be our longest set list to date. Playing everything from the latest record, choice pieces from the other albums as well as some new material.

Poster by @mono_means_doom
Portrait by myself

Additionally, 2024 marks 10 years of being a band. Devices wasn’t released until March of 2015, but the year leading up was nothing but formative.

“The End of Innocence” for ANON.
An atmospheric / melodic black metal entity from Perth, Australia.

I love commissions that enable me to explore a concept around a series of pieces. Each one inspired by a different track on the album.
Looking forward to hearing more from L.

Infinite thanks to @misscooper666 for modeling & collaborating.

LISTEN / OBTAIN